In 2023, NAPA initiated work on a needs analysis of the cultural and creative industries in Greenland. The purpose was to create a solid knowledge base for targeted offers, new business opportunities and strengthened frameworks for creative actors and companies throughout the country.
During 2023 and 2024, NAPA collected responses through a questionnaire that was available in Greenlandic, Danish and English. A total of 170 people participated in the survey. Based on their responses, NAPA has conducted an analysis, which has now been published as a report with results and recommendations.
The analysis is available in Kalaallisut, Danish and English.
Read the analysis here:
The answers to all questions can be found in this working document in English:
Read More »
Nordic collaboration in Sisimiut: NAPA supports the Arctic Sounds Festival!
Arctic Sounds is an annual music festival in Sisimiut showcasing artists from Greenland, the Nordic countries, the Arctic and other parts of the world. The festival week is filled with music, events, workshops and other activities – including NAPA’s own event – in Sisimiut and its breathtaking
Susanne Andreasen becomes new director of Nordic Institute in Greenland
Susanne Andreasen becomes the new director of the Nordic Institute in Greenland, NAPA. Andreasen has extensive experience in the culture sector and theatre scene in Greenland. Among her other roles, Andreasen was the theatre director at the National Theatre of Greenland (Nunatta Isiginnaartitsisarfia) from 2016
NNK 25.-28. May 2023
is taking shape
Nuuk Nordic Culture Festival 2021 became a breathing space and a bearing towards brighter times. Artists and actors of all shapes and colors visited Nuuk at the end of October. Approx. 2500 guests over 4 days. 200 artists and actors from around the world who
‘The Little Goddess’: A tale of beliefs, change, and choice
How do the human belief mechanisms change through time, and how can the change affect individuals, who are rooted in those beliefs? Those are just some of the questions that the theatrical performance, ‘The Little Goddess’, tries to unravel through a mixture of the Western