Culture, Music, News, Supported projects
The musician and sound wizard Hans-Ole Amossen is the man behind one of Greenland’s most popular concert names, Da Bartali Crew. They have toured the Nordics, Europe and South America and had a myriad of guest performing rappers and singers with them on stage. In 2019, they were nominated for the Nordic Council Music Prize.
NAPA has asked Hans-Ole to tell about his journey through music, which NAPA has helped to support with the Cultural Support Program. Hans-Ole is an example of how an application for the Cultural Support Program has opened up a network which, among other things, led to Da Bartali Crew becoming the Nordic contribution to the festival Días Nórdicos.

Are you working with projects that strengthen civil society and sustainable development in the Arctic and Nordic region, or would you like to in the future? Then this webinar is for you. Join NAPA for an online introduction to the Nordic Arctic Programme (NAP) – a funding programme from the Nordic Council of Ministers supporting projects that: Directly contribute to the development of attractive and socially viable local communities in the Arctic across generations Support the development of local business opportunities and sustainable economic growth in the Arctic Directly contribute to promote green transitions and sustainable circular economy of
Sápmi, the ancestral land of the Sámi people, extends across the northern parts of Norway, Sweden, Finland, and the Kola Peninsula in Russia. To this day, there is no system in place to consistently monitor the situation of the Sámi people’s rights throughout these territories.

The Nordic Arctic Co-operation Programme, administered by NAPA and Ilisimatusarfik, University of Greenland, has so far granted funding to 17 projects this year with a total amount of 7 mio. DKK. The Programme aims to promote Nordic co-operation in the Arctic and contribute to increased

How do the human belief mechanisms change through time, and how can the change affect individuals, who are rooted in those beliefs? Those are just some of the questions that the theatrical performance, ‘The Little Goddess’, tries to unravel through a mixture of the Western